Cradle To Grave, Episode Twenty

From Kentucky to India.  That's the path this week's Cradle To Grave took.  I don't know if that's good or not.  I was chatting with a very opinionated someone about college radio in general last week, & he told me there were two defining characteristics of that media: the inability to read & the lack of flow.  He said, "Whenever college students have to read something on the radio, they make you wonder how they got into college at all."  He later complained that every college deejay thinks it's funny to, say, play a pretty classical music piece, & then follow it with a black metal song.  "I wish," he said, "it could be put into their brains how many people change the station in disgust."

Naturally, I have begun to worry about this show.  Since I have no control over who was born or who died on a particular day, I have to work with the material fate gives me.  One solution might be for me to do what the late, great John Peel did, & chat briefly in-between every song, but I think I speak for the universe when I say nobody wants that.

How bad could it be?  As an example, in the last set of the show, I played a rock & roll tune from the 1960s & followed it with a folky song.  I don't think it flowed all that well.  But I wanted to play both songs before the end of the show.  & I thought, "Well, they're both women singers, so..."

Please, hypothetical listener, don't change the station in disgust!

The show, which is about April 22, even though it's no longer April 22, is now at Self Help Radio's website.  It's in two parts, birthdays & death anniversaries, & what I played is below, although sometimes the musician being celebrated or commemorated is not the main artist - so you might want to listen to find out who it is!

"Trademark On What I Found" Bob Gallion _MGM Hillbilly, Vol. 2_
"Way In The Hee Hi Hoo" Lemon Nash _Papa Lemon: New Orleans Ukulele Maestro & Tent Show Troubadour_
"Wichita Lineman" Glen Campbell _Wichita Lineman_
"Black Diamond Bay" Bob Dylan _Desire_

"Better Get Hit In Yo' Soul" Charles Mingus _Mingus Ah Um_
"Hold Me, Thrill Me, Kiss Me" Mel Carter _The Best Of Mel Carter_
"Sweet Jamaica" Laurel Aitken _You Got Me Rockin' (The Blue Beat Years 1960-1964)_
"Boogie'n With George" George Smith _Now You Can Talk About Me_
"Nosey Joe" Bull Moose Jackson _Badman Jackson That's Me_

"Zulu King" Cannibal & The Headhunters _Land Of 1000 Dances_
"I Can Fly" The Herd _The Complete Herd_
"Tempted" Squeeze _Spot The Difference_
"The SAS & The Glam That Goes With It" Earl Brutus _Tonight You Are The Special One_
"Confusion" New Order _Palatine, Vol. 2: Life's A Beach_

(death anniversaries)

"Hoola Boola Dance" Perry Bradford's Jazz Phools _The Rise & Fall Of Paramount Records, Vol. 1: 1917-1927_
"A Monday Date" Earl Hines _Louis Armstrong & Earl Hines 1928: The Smithsonian Collection_
"Boy! What Love Has Done To Me!" Jane Froman with Al Goodman & His Orchestra_ Those Wonderful Girls Of Stage, Screen & Radio: Original Records Of The 30s_
"Love Can Change The Stars" Victor Marchese & Jane Powell _Reaching For The Moon_
"All I Have To Do Is Dream" The Everly Brothers _Classic Everly Brothers_

"Calling Jesus" Rev. Louis Overstreet _His Guitar, His Four Sons, & The Congregation Of St. Luke Powerhouse Church Of God In Christ_
"Witches Brew" Marilyn Cooper, Leslie Uggams, Barbara Sharma _Hallelujah, Baby! (Original Broadway Cast Recording)_
"Moon Over Rio" Robert Farnon _Betty Page Jungle Girl Exotique Music_
"I Only Have Eyes For You" Jimmy Bee _Los Angeles Soul: Kent-Modern's Black Music Legacy_

"Joycie Girl" Don Pullen feat. Sam Rivers _Capricorn Rising_
"High Flying Bird" Richie Havens _Mixed Bag_
"Is There Anything I Can Do" The Ashes _The Peanut Butter Conspiracy: Spreading From The Ashes_
"The Rebel Girl" Hazel Dickens _Don't Mourn - Organize! Songs Of Labor Songwriter Joe Hill_

"Bhajan In Raga Pilu" Shri Lalgudi Jayaraman _Violin_