Manservant Ripple finds his way through the echoing, gigantic house. Sentences flow sweetly from his collapsable lungs. The master smiles to himself - he remembers why he hired Manservant Ripple; & it is still a bargain.
In the basement, Manservent Ripple conspires. The beaujolais is eminently flammable. How many more must die for the bloodlust they call capitalism to leave this vale of tears? But his is not to reason why.
In the bedroom, the mistress dreams dream of Manservant Ripple. She is ashamed of her sad lust, but she has always wanted to touch a hunchback's hump. She cries tears of perserverance.
Did you know he was married? asks the farmer. Yes, his wife lives in the hovel on the corner, next to the hovel once owned by Orson Welles, it's true. She doesn't work, no. She's a shut-in.
But is there - be honest! - is there a difference between mental illness & a love of the fine arts? A difference between a political solution to a problem & the eating of uncooked flesh? Between religion & mockery?
How he wishes he could have wounded with words, does Manservant Ripple. His wife stares at the hovel next door greedily. If they lived anywhere near the mansion, they might see the fire yet rage. But they do not.
Manservant Ripple will apply now for another job.
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